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Mišel de Gelderod
Michel de Ghelderode.jpg
Born Adhémar-Adolphe-Louis Martens
3 April 1898
Ixelles, Belgium
Died 1 April 1962 (aged 63)
Brussels, Belgium
Nationality Belgian
Other names Philostene Costenoble
Jac Nolan
Babylas
Occupation dramatist
Spouse Jeanne-Françoise Gérard (d.1980)
Michel de Ghelderode (born Adémar Adolphe Louis Martens, 3 April 1898 – 1 April 1962) was an avant-garde Belgian dramatist, from Flanders, who spoke and wrote in French. His works often deal with the extremes of human experience, from death and degradation to religious exaltation. He wrote plays and short stories, and was a noted letter writer.[1]


Contents
1 Personal life
2 Influences
3 Career
4 Themes and style
5 Pseudonyms
6 Adaptations
7 Works
7.1 Plays
7.2 Plays for Marionettes
7.3 Poetry
7.4 Prose
8 Sources
9 References
10 External links
Personal life
Works
Plays
La Mort regarde à la fenêtre (Death Looks in the Window) (1918)
Le repas des fauves (The Beasts' Meal) (1918)
Piet Bouteille (or Oude Piet) (1920) Produced Brussels, Théâtre Royal du Pare, 2 Apr. 1931
Le Cavalier bizarre (The Strange Rider) (1920 or 1924)
Têtes de bois (Blockheads) (1924)
Le Miracle dans le faubourg (Miracle in the Suburb) (1924, unedited)
La Farce de la Mort qui faillit trépasser (The Farce of Death Who Almost Died) (1925) Produced Brussels, Vlaamse Volkstoneel, 19 Nov. 1925
Les Vieillards (The Old Men) (1925)
La Mort du Docteur Faust (1926) Produced Paris, Théâtre Art et Action, 27 Jan. 1928
Images de la vie de saint François d'Assise (1926) Produced Brussels, Vlaamse Volkstoneel, 2 Feb. 1927
Venus (1927)
Escurial (1927) Produced Brussels, Théâtre Flamand, 12 Jan. 1929.
Christophe Colomb (1927) Produced Paris, Théâtre Art et Action, 25 Oct. 1929
La Transfiguration dans le Cirque (The Transfiguration at the Circus) (1927)
Noyade des songes (Dreams Drowning) (1928)
Un soir de pitié (A Night of Pity) (1928)
Trois acteurs, un drame... (1928) Produced Brussels, Théâtre Royal du Parc, 2 Apr. 1931
Don Juan (1928)
Barabbas (1928) Produced Brussels, Vlaamse Volkstoneel, 21 Mar. 1928; and Brussels, Théâtre Résidence, 8 Jan. 1934
Fastes d'enfer (Chronicles of Hell) (1929) Produced Paris, Théâtre de l'Atelier, 11 July 1949
Pantagleize (1929) Produced Brussels, Vlaamse Volkstoneel, 24 April 1930; and Brussels, Théâtre Royal du Parc, 25 October 1934
Atlantique (1930)
Celui qui vendait de la corde de pendu (The One Who Sold the Hanging Rope) Farce in three acts (1930)
Godelieve (1930, unedited) Produced Ostend 1932
Le Ménage de Caroline (Caroline's Household) (1930) Produced Brussels, Théâtre de l'Exposition, 26 Oct. 1935
Le Sommeil de la raison (The Sleep of Reason) (1930) Produced Oudenaarde, 23 Dec. 1934
Le Club des menteurs (ou Le Club des mensonges) (Liar's Club) (1931)
La Couronne de fer-blanc (The Tin-Plated Crown) Farce, two acts and three tableaux. (1931)
Magie rouge (Red Magic) (1931) Produced Brussels, Estaminet Barcelone, 30 Apr. 1934
Les aveugles (1933) (The Blind Men) Produced Paris, Théätre de Poche, 5 July 1956
Le Voleur d'étoiles (The Star Thief) (1931) Produced Brussels, Vlaamse Volkstoneel, 7 Apr. 1932
Le Chagrin d'Hamlet (The Sorrow of Hamlet) (1932)
Vie publique de Pantagleize 1932(?)
La grande tentation de Saint Antoine (The Great Temptation of Saint Anthony). Burlesque cantata (1932)
Pike anatomique (Anatomical Play) (1932)
Le marchand de reliques (The Relic Dealer) Pseudodrama (1932)
Casimir de l'Academie... (Casimir of the Academy) Pseudodrama (1932)
Paradis presque perdu (Paradise Almost Lost) Mystery. (1932)
Genéalogie (Genealogy) Pseudodrama (1932)
Arc-en-ciel (Rainbow) (1933)
Les Aveugles (The Blind men) (1933)
Le Siège d'Ostende (1933)
Swane A Forest Legend, Opera (1933) to a story by Stijn Streuvels, music by Maurice Schoemaker
Plaisir d'amour (1933)
Le soled se couche (1933) (The Sun Sets) Produced Brussels, Théâtre Royal Flamand, 23 Jan. 1951
Adrian et Jusemina (1934) Produced Brussels, Théâtre Residence, 19 Jan. 1952
Le Perroquet de Charles Quint (The Parrot of Charles V) (1934)
Masques ostendais (1934)
Petit drame (1934)
La Balade du grand macabre (1934) Produced Paris, Studio des Champs-Élysées, 30 Oct. 1953
Sire Halewyn (1934) Produced Brussels, Théâtre Communal, 21 Jan. 1938
Mademoiselle Jaïre (1934)
Le Soleil se couche... (The Sun Goes Down) (1934)
Hop Signor! (1935)
Sortie de l'acteur (Exit the Actor) (1935)
Le vieux Soudard (The Old Trooper) Cantata (1935)
Le singulier trépas de Messire Ulenspigel (The Singular Death of Messire Ulenspigel) Play, eight scenes (1935)
La Farce des Ténébreux (The Farce of Shadows) (1936)
La Pie sur le gibet (The Magpie on the Gallows) (1937)
Pantagleize est un ange (Pantagleize is an Angel) (1938, draft)
La petite fil aux mains de bois (The Little Girl with Wooden Hands) (with Jean Barleig). Fairy Tale, three acts. (1939)
Scenes from the life of a Bohemian: Franz Schubert (1941)
L'école des bouffons (School for Buffons) (1942)
La Légende de la Sacristine (The Legend of the Sacristan) (1942, draft)
Le Papegay triomphant (1943, unedited)
For They Know Not What They Do (1950, unedited)
La folie d'Hugo van der Goes (The Madness of Hugo van der Goes) Play, three scenes (1951)
Marie la misérable (1952)
The Touching and Very Moral Heavenly Tribulation ... (full title: The Touching and Very Moral Heavenly Tribulation of Petrus in Eremo, pastor of a lean parish to the fat land of Flanders), (1960, unfinished)
Angelic Chorus (1962, unedited)
Plays for Marionettes
Le Mystère de la Passion de Notre-Seigneur Jésus Christ (1924, for marionettes) Produced Brussels,
Théâtre des Marionnettes de Toone, 30 Mar. 1934.
Le massacre des innocents (1926, for marionettes)
Duvelor ou la Farce du diable vieux (Duvelor, or the Farce of the Old Devil) (1925, for marionettes)
La ronde de nuit (The Night Watch). Pseudodrama for marionettes. (1932)
La nuit de mai (The Night in May). Drama for marionettes. (1932)
Les Femmes au tombeau (The Women at the Tomb) (1933, for marionettes)
D'un diable qui précha merveilles (Of a Devil Who Preached Wonders) Mystery for marionettes, 3 acts. (1934)
Poetry
La Corne d'Abondance (The Horn of Abundance) (1925)
Prose
Voyage Autour de ma Flandre (or Kwiebe-Kwiebus) (1921)
L'Histoire Comique de Keizer Karel (1922)
La Halte catholique (1922)
L'Homme sous l'uniforme (The Man under the Uniform) (1923)
L'homme a la moustache d'or (The Man with the Mustache of Gold) (1931)
Sortilèges (Spells) (1941)
Mes Statues (1943)
Choses et gens de chez nous (Things and People from Home) (1943, 2 volumes)
La Flandre est un songe (1953)
The Ostend Interviews (1956)
Sources
George Hauger (1960) Introduction and trans. Seven Plays (The Women at the Tomb, Barabbas, Three Actors and Their Drama, Pantagleize, The Blind Men, Chronicles of Hell, Lord Halewyn and The Ostend Interviews) MacGibbon & Kee
Parsell, David B. (1993) Michel de Ghelderode. New York: Twayne Publishers. 0-8057-43030
Ghelderode, Michel de (edited by R. Beyen) (1991–1962) Correspondance de Michel de Ghelderode. Bruxelles: Archives du Futur (Tomes 1–10)[14]
To Directors and Actors: Letters, 1948-1959[15]
Willinger, David (2000) Ghelderode. Austin, TX: Host Publishers including translations into English of the plays: 'The Siege of Ostend,' 'Transfiguration in the Circus,' and 'The Actor Makes His Exit'
Willinger, David (2002) Theatrical Gestures of Belgian Modernism. New York: Peter Lang Publishing, Inc. 0-8204-5503-2, including translations into English of the plays: Venus, Dreams Drowning, and Blockheads.
References
Bédé, Jean Albert. Edgerton, William Benbow. "Ghelderode, Michel de". Columbia Dictionary of Modern European Literature. Columbia University Press (1980) pp. 302-303. ISBN 9780231037174
Ghederode, Michel de. Ghelderode Seven Plays. Hill and Wang. 1960. p. viii.
Esslin, Martin (2018-01-01). Antonin Artaud. Alma Books. p. 51. ISBN 9780714545622
Hellman, Helen. "Hallucination and Cruelty in Artaud and Ghelderode". The French Review. Vol. 41, No. 1 (Oct., 1967), pp. 1-10.
[1] Hauger, George. Ghelderode, Michel de. "The Ostend Interviews". Tulane Drama Review (1959). Vol. 3, No. 3 (Mar., 1959), pp. 3-23
[2] Hauger, George. Ghelderode, Michel de. "The Ostend Interviews". Tulane Drama Review (1959). Vol. 3, No. 3 (Mar., 1959), p. 15
Artaud, Antonin. The Theater and Its Double. Grove Press (1994)ISBN 978-0802150301 pp. 71 & 102
Hellman, Helen. "Hallucination and Cruelty in Artaud and Ghelderode". The French Review. Vol. 41, No. 1 (Oct., 1967), pp. 1-10.
Hellman, Helen. "Hallucination and Cruelty in Artaud and Ghelderode". The French Review. Vol. 41, No. 1 (Oct., 1967), pp. 1-10.
[3] Wellwarth, George I. "Ghelderode's Theatre of the Grotesque". The Tulane Drama Review, Vol. 8, No. 1 (Autumn, 1963), p. 15
Ghederode, Michel de. Ghelderode Seven Plays. Hill and Wang. 1960. pp. vii & ix.
Brockett, Oscar Gross, History of the Theatre, Oscar G. Brockett, Franklin J. Hildy. 9th ed. 2003, Pearson Education Group, Inc.
Seven Plays including Pantagleize, translated and with an Introduction by George Hauger. MacGibbon & Kee 1960
Ghelderode, Michel de. Correspondance de Michel de Ghelderode. Series: Archives du futur (French Edition) Publisher: Editions Labor (1991). ISBN 9782804008154
Ghelderode, Michel de. Knapp, Bettina, translator. To Directors and Actors: Letters, 1948-1959. The Tulane Drama Review. Vol. 9, No. 4 (Summer, 1965), pp. 41-62
External links
"The Black Diamond" (in French)
Michel de Ghelderode at the Internet Broadway Database